The early Christian writers aimed no polemic at the nobler art music or the folk music of their day. Had they been opposed to it, they would no doubt have spoken against it. Their denunciations of music were not general; rather, they were aimed at a few well-defined targets: the music of the popular public spectacles, the music associated with voluptuous banqueting, the music associated with pagan weddings, and the music of pagan religious rites and festivities. As we have already seen, they were not alone in their denunciations. They joined their voices with those of pagan Romans who were painfully aware of the decay of their civilization.
—Calvin R. Stapert, A New Song for an Old World: Musical Thought in the Early Church, 145
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