Throughout the world contemporary Christian music has captured countless churches, absorbing them into the domain of semi-charismatic, worldly evangelicalism. Sometimes the preaching has largely remained sound, but for how long now that the worship ethos of such churches has so dramatically changed? Whether its victims realise it or not, the contemporary worship movement is the instrument of the hour to pull down both the conduct and the doctrinal walls of Zion. How the arch-enemy of the churches of Christ and of human souls will be straining to speed on such a catastrophe! . . .
Even the partial adoption of contemporary worship will inevitably constitute a bridge to the total acceptance of ‘Christian’ rock culture. Composers and writers of ‘sounder’ modern genre songs say themselves that their primary aim is to draw conservative churches into the fold of Christian rock, and also to hasten ecumenical advance.
—Peter Masters, “Worship or Entertainment?,” 95-96
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