Archives For Music

Last night, I started doing something that I have thought about doing for a while. I am going to try singing through all the Psalms in order.

I am not going to use any hymnals or psalters, etc. in my singing. I may or may not try accompanying myself on the guitar by playing whatever suits my fancy and sounds ok to me.

As long as I say the words properly so that they are understandable and use differing pitches and rhythms, can anyone validly say that what I am doing is not singing that pleases God?

After all, God has not provided any inspired melodies or any specific musicological information about what I am supposed to be doing when I sing as long as I sing the words that He has inspired and do so by varying the pitches and rhythms.

Do you agree or disagree with this approach?

Based on what the Bible has revealed, does it really matter to God how I sing His inspired words as long as I am sincerely trying to sing to Him and He is the only one who will hear my singing?

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Musical instruments or terms having specifically to do with them are mentioned explicitly in the Psalms at least 49 times.a An examination of these occurrences reveals that the Spirit has stressed the importance of stringed instruments above that of both wind instruments and percussion instruments.

Stringed Instruments

Stringed Mentions Verses Psalms Commands
Harp 14 (33:2; 43:4; 49:4; 57:8; 71:22c; 81:2c; 92:3c; 98:5 (2x); 108:2; 137:2; 147:7; 149:3; 150:3b) 13 13 6 (33:2a; 81:2c; 98:5; 147:7; 149:3; 150:3b)
Psaltery 8 (33:2b; 57:8; 71:22a; 81:2c; 92:3b; 108:2; 144:9; 150:3b) 8 8 3 (33:2b; 81:2c; 150:3b)
“Instrument of ten strings” 3 (33:2b; 92:3a; 144:9) 3 3 1 (33:2b)
“Stringed instruments” 1 (150:4b) 1 1 1 (150:4b)
“Neginoth” 6 (4:1; 6:1; 54:1; 55:1; 67:1; 76:1) 6 6
“Sheminith” 2 (6:1; 12:1) 2 2
“Neginah” 1 (61:1) 1 1
“Play skillfully” 1 (33:3) 1 1 1 (33:3)
“Players on instruments” 1 (68:25b) 1 1
Total 37b 25b, c 23b, c 9c

Wind Instruments

Wind Mentions Verses Psalms Commands
Trumpet 4 (47:5; 81:3; 98:6; 150:3a) 4 4 3 (81:3; 98:6; 150:3a)
“Cornet” 1 (98:6) 1 1 1 (98:6)
“Organs” 1 (150:4b) 1 1 1 (150:4b)
Total 6d 5c 4c 4c

Percussion Instruments

Percussion Mentions Verses Psalms Commands
Timbrels 4 (68:25c; 81:2b; 149:3; 150:4a) 4 4 3 (81:2b; 149:3; 150:4a)
“Loud cymbals” 1 (150:5a) 1 1 1 (150:5a)
“High sounding cymbals” 1 (150:5b) 1 1 1 (150:5b)
Total 6 5c 4c 5c

Discussion

The data about musical instruments in the Psalms shows that stringed instruments (or terms specifically pertaining to them) are mentioned more than three times as often (37 times) in the Psalms as are wind instruments and percussion instruments combined (12 times). Information about stringed instruments is mentioned in more than three times the number of verses in the Psalms (25 verses) than is information about wind instruments and percussion instruments combined (8 verses).

Moreover, stringed instruments (and other information about them) are mentioned in more than three times the number of Psalms (23 Psalms) than wind instruments and percussion instruments are (6 Psalms). Strikingly, nine Psalms mention only stringed instruments (Ps. 33, 43, 49, 71, 92, 108, 137, 144, 147), but only one Psalm mentions only a wind instrument (Ps. 47), and no Psalm mentions only percussion instruments.

The Psalms also reveal that God has commanded the use of stringed instruments nine times in the Psalms, which equals the total number of commands for the use of wind instruments and percussion instruments. Six Psalms have commands for the use of string instruments (Ps. 33, 81, 98, 147, 149, 150), while commands for the use of either wind or percussion instruments are found in four Psalms (Ps. 81, 98, 149, 150).

Another facet of the greater importance of stringed instruments in the Psalms directly pertains to corporate worship in a distinctive way. Of the 55 Psalms that the Spirit inspired to be directed explicitly to the chief musician, eight have explicit mentions of stringed instruments or terms pertaining specifically to them at the beginning of the Psalm (Ps. 4:1; 6:1; 12:1; 54:1; 55:1; 61:1; 67:1; 76:1).

Four other Psalms explicitly have content about stringed instruments, but their content is later in the Psalm (Ps. 49:4; 57:8; 68:25; 81:2). The Spirit, therefore, has inspired explicit mentions of information about stringed instruments in 12 such Psalms!

By striking contrast, none of the 55 Psalms explicitly directed to the chief musician have content about wind or percussion instruments at the beginning of the Psalm. Three of the 55 Psalms do have later content in them about wind (Ps. 47:5; 81:3) and percussion instruments (Ps. 68:25; 81:2).

The Spirit has thus inspired content about stringed instruments in four times as many such Psalms (12 total) compared to content about wind or percussion instruments (3 total for both wind and percussion instruments)! This far greater proportion stresses the comparative importance of stringed instruments above wind and percussion instruments.

These facts about what the Spirit has revealed about musical instruments through the Psalms plainly teach us that stringed instruments are far more important than are either wind instruments or percussion instruments. The primacy of stringed instruments in the Psalms therefore is undeniable.

Application

Musically conservative brethren who choose to use wind and percussion instruments only sparingly and in limited ways in their corporate worship have full biblical justification to do so. The biblical data in Psalms does not necessitate that either wind instruments or percussion instruments are to be used prominently in corporate worship.

Moreover, churches that cite the mentions and commands in the Psalms concerning percussion instruments to justify the use of rhythmically dominant music in their corporate worship would do well to consider whether what they are doing in their corporate worship properly accords with what the Psalms teach us about the primacy of stringed instruments in corporate worship.


Notes:

a I am fully aware that there is more data in the Psalms that may pertain to the use of musical instruments. I have chosen not to treat that data because there are significant uncertainties about what that data signifies. For example, some sources hold that Nehiloth in Psalm 5:1 has to do with the use of flutes (see the translation note in the NET Bible), but they state that this understanding is uncertain.

b Psalm 45:8 has the same Hebrew word that is rendered as “stringed instruments” in 150:4.

c The totals do not equal the sum of the numbers in each row of this column because some of the entries are from the same verse, Psalm, or command, respectively.

d Psalm 87:7 may speak of the use of pipes or flutes.

e As needed, I will be making changes, corrections, additions, etc. to the information in this post. I would appreciate feedback about any factual errors that need correcting.

f  Photo Credit: D. Hendrix

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Revelation 5 is the first of three passages in the final book of Scripture that reveal to us the only musical information in Scripture that the Spirit has inspired for our profit about heavenly worship music. A careful handling of the Greek word ἕκαστος [Eng. “each”] in Revelation 5:8 teaches us a key truth about the harps that are mentioned in that passage.

Revelation 5:8 καὶ ὅτε ἔλαβε τὸ βιβλίον, τὰ τέσσαρα ζῶα καὶ οἱ εἰκοσιτέσσαρες πρεσβύτεροι ἔπεσον ἐνώπιον τοῦ ἀρνίου, ἔχοντες ἕκαστος κιθάρας, καὶ φιάλας χρυσᾶς γεμούσας θυμιαμάτων, αἵ εἰσιν αἱ προσευχαὶ τῶν ἁγίων.

Revelation 5:8 And when he had taken the book, the four beasts and four and twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.

The Spirit’s use of this word shows us that all of the elders in this scene had the exact same thing–harps. Whatever harps signify in this verse therefore has to be the same thing for each elder.

Those who take harps in this verse to be symbolic of praise offered on all kinds of musical instruments do not have any basis to do so in the text. The text does not allow for or support in any way holding that some of the elders had one musical instrument, others had a different musical instrument, and so on.

All 24 elders in Revelation 5:8 had harps–they did not have differing musical instruments among themselves. Revelation 5:8 does not in any way support the view that harps in the passage signify praise on all kinds of musical instruments.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Turn the Volume Down!

July 19, 2024

Romans 13:10 Love worketh no ill to his neighbour: therefore love is the fulfilling of the law.

The playing of music in corporate worship at volume levels known to damage human hearing is to work ill to the people who are present in those services. Knowingly causing physical harm to people is unloving and therefore unrighteous conduct that violates what God explicitly teaches us in Scripture in Romans 13:10.

It does not matter what your preference is concerning the volume levels of worship music. If the volume level is at or above a level known to damage hearing, you are obligated to deny yourself your preference and love others more than yourself.

Turn the volume down in your worship services so that you are not damaging anyone’s hearing!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Isaiah 38:20 The LORD was ready to save me: therefore we will sing my songs to the stringed instruments all the days of our life in the house of the LORD.

Hezekiah was one of the godliest kings ever to rule over a nation. In this verse, he communicates that his response to God’s sparing him from dying from what was originally divinely declared to be an illness that would lead to his death was to extol God musically all the days of his life in the house of God!

What’s particularly noteworthy in this statement is that he specifies that the instruments to which they would sing his songs in the temple of God were stringed instruments. This is one of several such statements in Scripture that lead me to hold that stringed instruments were the most important instruments that were used in acceptable corporate worship of God in His temple.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

A New Doxology!

July 4, 2024

I recently wrote a new doxology that stresses the importance of praising God musically:

Praise God with harps and psalteries;

Praise Him by playing skillfully;

Praise Him in singing joyfully;

Praise God, the blessed Trinity!

 


– with harps and psalteries (2 Chr. 5:12; 9:11; 20:28; 29:25)

– playing skillfully (Ps. 33:3)

– singing joyfully (1 Chron. 15:16; Ps. 67;4; 81:1; 98:4)

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

After Samuel had anointed Saul, he uttered a striking prophetic declaration of what would shortly happen to Saul:

1 Samuel 10:5 After that thou shalt come to the hill of God, where is the garrison of the Philistines: and it shall come to pass, when thou art come thither to the city, that thou shalt meet a company of prophets coming down from the high place with a psaltery, and a tabret, and a pipe, and a harp, before them; and they shall prophesy: 6 And the Spirit of the LORD will come upon thee, and thou shalt prophesy with them, and shalt be turned into another man.

Concerning what it reveals about music, this passage is significant for several reasons.

First, it shows that more than two years (cf. 1 Sam. 13:1) before David came to the forefront as a uniquely skilled musician in Israel (1 Sam. 16:14-23), God already had a group of prophets among His people who were sacred musicians who ministered with music for Him! As prophets, these men were specially chosen, anointed, and empowered servants of God on whom He had put His Spirit; these musicians undeniably therefore knew fully how to play sacred music that pleased God.

Second, the verse speaks about the prophetic use of three different kinds of instruments: stringed (psaltery, harp); percussion (tabret); and wind (pipe). The verse, therefore, shows the legitimacy of using each of these kinds of instruments for sacred uses.

Third, the verse mentions two stringed instruments but only one each of the other two kinds of instruments. The greater number and variety of stringed instruments versus percussion or wind instruments points to the greater importance of stringed instruments in sacred activities.

Fourth, the verse does not make any mention of singing. Although the lack of mention of singing does not definitively show that there was no singing by those in this prophetic company, the explicit mention of multiple musical instruments and no mention of singing stresses the importance of the use of musical instruments in sacred ministry.


See also A Prophet, A Minstrel, and Resolving Today’s Worship Wars

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

I have actively participated in many discussions on Sharper Iron since November of 2018. In this post, I have compiled nearly all my discussion posts on music and worship as well as on other topics.

In addition, I have also listed other discussions that I did not start, but I did participate in them. The numbered listing for my posts on music and worship are in chronological order; those in the second listing are grouped by topic.

Posts on Music and Worship

  1. How does God want Christians to profit concerning worship from Exodus 32:17-20?
  2. Is Exodus 32:17-18 divine revelation about worship music? | SHARPER IRON
  3. Does Job 41:11b apply to all musical styles/genres?
  4. Bible passages that guide us about secular/unbelieving criticisms of Christian worship music/ministry?
  5. What does Scripture teach about all music without words?
  6. Are there any Bible passages that specifically support the use of music to evangelize unbelievers?
  7. Little interest in discussing what the Bible says about music
  8. Does Scripture record that musical instruments were used in pagan worship?
  9. Best books that support the use of CCM, CWM, etc?
  10. Adding Regular Corporate Shouting of Praise in Our Worship
  11. What does Genesis 4:21 teach us about music?
  12. What does Genesis 31:27 teach us about music?
  13. We Must Heed the Vital Message of 1 Corinthians 10:18-20
  14. Did OT Israel create anything new in terms of music?
  15. Who do you think is the most important musician in human history?
  16. “Why a Series on Psalms?” | SHARPER IRON
  17. Does God accept worship from some unbelievers?
  18. What Is the Greatest/Best Sacred Song of All Time?
  19. What Does 1 Samuel 16:14-23 teach about music?
  20. Who do you believe is the greatest songwriter of all time?
  21. How many classes of *living* beings exist that produce music?
  22. What Does 1 Corinthians 2:14 Teach about What Unbelievers Cannot Know?
  23. Does Romans 8:19-22 apply to music without words?
  24. What Do Daniel 3:5, 7, 10, and 15 Reveal about Worship Music?
  25. Wrong Views, Disunity, and “The Worship Wars”
  26. Does God love all kinds of music because He invented it all?
  27. The Bible and Music: What Does God Want Us to Know, Believe, and Do?
  28. Was Jesus of Nazareth the Greatest Singer and Musician of All Time?
  29. Divine Selectivity in Worship: What Should We Believe?
  30. Shamanism, Percussion, and First Corinthians 6:12
  31. Did the Israelites Use Drum-Like Instruments in The Worship in the Solomonic Temple?
  32. Are Some Kinds of Instrumental Music Objectively Better Than Others?

Posts on Other Topics or Other Discussions That I Did Not Start

Steve Pettit and the Skillman Family

Public worship and Exodus 28:42: “from hips to the thighs”

Golden Calf in Psalm 106

How Acts 7:39-41 Illumines A Proper Understanding of the Golden Calf Incident (GCI)

Is food good but amoral? | SHARPER IRON

Why is 1 Timothy 5:23 in the Bible?

Does Scripture teach that cremation is an acceptable practice for believers?

“Is Cremation Christian”?

How does God want Christians to profit concerning evangelism from Acts 22:14-15?

Toward a More Accurate Theology of Evangelism

Ezekiel 40-48: National Israel, the Church, or something else?

How are you going to keep yourself unspotted from the world?

“Assailment-by-Entailment”

Does *the Bible Itself* “Use” Guilt by Association (GBA)?

Two Important Insights from the Biblical Record about Manasseh

What perspicuity of the Scripture does not mean

What Is Sound Doctrine concerning the Doctrinal Importance of Narratives in Scripture?

Was Solomon a true believer who “lost his salvation”?

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

I recently posted the following line of biblical reasoning online on two different sites:

Instrumental music that is not pleasing or acceptable to God

All true believers must accept anything that God says when He says it explicitly.

James 3:15 This wisdom descendeth not from above, but is earthly, sensual, devilish.

This revelation from God teaches us that there is wisdom that is not His that is earthly, sensual, and demonic.

If we do anything with wisdom that is not from God, that thing that we do will be and is done with earthly, sensual, and demonic wisdom.

Doing anything, therefore, that pertains to instrumental music with *wisdom that is not from God* produces instrumental music that is earthly, sensual, and demonic.

Such instrumental music, of necessity, is not pleasing or acceptable to God.

To say that it is not possible to do anything pertaining to instrumental music with wisdom that is not from God must be proven from Scripture–it cannot and must not be merely asserted, assumed, or presupposed.

Is there any proof from Scripture itself that it is not possible to do anything pertaining to instrumental music with wisdom that is not from God?

I believe that this line of reasoning is solidly biblical and guides us correctly about a key issue that has profound ramifications for both our doctrine and practice of music.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

In several previous articles, I have treated Scripture concerning various aspects of the surpassing musical wisdom of Solomon. Beyond the evidence that God has given us in Scripture for Solomon’s surpassingly excellent wisdom concerning songs and singing, He has even provided us with explicit revelation concerning Solomon’s surpassing excellence concerning two musical instruments.

Surpassingly Excellent Harps and Psalteries

Using algum trees supplied to him by Huram, Solomon made harps and psalteries:

2 Chronicles 9:11 And the king made of the algum trees terraces to the house of the LORD, and to the king’s palace, and harps and psalteries for singers: and there were none such seen before in the land of Judah.

This revelation is striking for what it says about the harps and psalteries that Solomon made—”there were none such seen before in the land of Judah.” The harps and psalteries that Solomon made were the finest that had ever been seen in Judah!

Given that the Israelites had been using these two instruments in divine worship prior to God’s giving Solomon the all-excelling wisdom, understanding, and knowledge that He gave him (cf. 1 Chron. 13:8), we thus learn from this explicit biblical statement that these instruments were superior even to the best harps and psalteries that the Israelites had previously been using for the worship of God! Moreover, given that Solomon made these instruments with the wisdom that God gave him that excelled “all the wisdom of Egypt” (1 Kings 4:30), we have certainty that these instruments were superior to any harps and psalteries that the Egyptians had ever had.

Conclusion

Based on what God has explicitly revealed to us about the harps and psalteries that Solomon made, we learn that the all-excelling wisdom, understanding, and knowledge that God gave Solomon included all-excelling wisdom, understanding, and knowledge about these two key musical instruments that God Himself ordained were to be used to worship Him (Ps. 33:2-3; 98:5; 150:3). Through Solomon, God thus gave to the Israelites the finest harps and psalteries in the world so that they would be used in His temple to glorify Him with the finest music in all the world!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.