Archives For Quotes

Throughout the world contemporary Christian music has captured countless churches, absorbing them into the domain of semi-charismatic, worldly evangelicalism. Sometimes the preaching has largely remained sound, but for how long now that the worship ethos of such churches has so dramatically changed? Whether its victims realise it or not, the contemporary worship movement is the instrument of the hour to pull down both the conduct and the doctrinal walls of Zion. How the arch-enemy of the churches of Christ and of human souls will be straining to speed on such a catastrophe! . . .

Even the partial adoption of contemporary worship will inevitably constitute a bridge to the total acceptance of ‘Christian’ rock culture. Composers and writers of ‘sounder’ modern genre songs say themselves that their primary aim is to draw conservative churches into the fold of Christian rock, and also to hasten ecumenical advance.

—Peter Masters, “Worship or Entertainment?,” 95-96

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Gathered church worship is our offering up together to God the Spiritual, devotional responses of which He alone is worthy.

—Pastor Mark Minnick

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

In his work, “Music Through the Eyes of Faith,” Harold M. Best asserts the following:

When people say that rhythms, chords, or textures cause sexual license, violence, or drug abuse; whenever anybody—missionary or tribal person—says that certain kinds of music or rhythmic types are satanic, they are caught up in the same dilemma that Isaiah speaks of (chapter 44). There is really no difference between someone carving a god out of what otherwise is a piece of firewood and someone else who happens upon or makes a certain kind of music, expecting it to govern the actions of those hearing and using it.

—Harold M. Best, Music Through the Eyes of Faith, 48-49

I believe that Best is profoundly mistaken in what he says about “satanic music” through these statements. As a finite human, he has no capability to legitimately declare what he does concerning satanic music.


See my post Resources That Provide Answers to Key Issues Concerning CCM for much more biblical information about issues concerning what music God accepts in corporate worship.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Tonight, I read a quote that I find very interesting:

4.) Rock music is a neutral force. It can be either good or bad, depending on how you use it.

This is an occult concept, not a Christian one. The witchcraft doctrine of “The Force” says that there is a neutral power within all of nature which can be directed by the person controlling it. For example, witchcraft can be either good or evil, depending on whether it’s white or black. Actually, both powers come from the same source — Satan. What does the Bible say? In Genesis 1:31, when God looked on all of His creation, He said, “Behold, it was very GOOD.” No neutral ground with God! According to “The Force” theory, good or evil is in the eye of the beholder. Thus, the concept of Christian Rock cannot be scripturally sound. C-Rockers are so desperate to defend their music, they have even resorted to the use of occultic principles in their vain attempts to do so.

–Jeff Godwin, Dancing with Demons: The Music’s Real Master, 233-234

Thoughts?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Jeff Godwin on Rock Music

October 24, 2022

There is one rule we should never forget. Rock is Rock is Rock is Rock. Whether it’s called “Soft” Rock, “Acid” Rock, “Punk” Rock or “Christian” Rock, we are still dealing with music more ancient than the classics. Rooted in the Druid demon worship of Celtic England, and baptized in voodoo ceremonies of Africa and the Caribbean, Satan’s rock rules the world.

–Jeff Godwin, Dancing with Demons: The Music’s Real Master, 8

Please Note: My sharing of this quoted material does not mean that I endorse all the content of this work, all the views of the author of this work or all the content and views that he expresses in this or in any of his other works. It does not mean that I agree with everything that he says and holds in this work or anywhere else.


See my post Resources That Provide Answers to Key Issues Concerning CCM for much more biblical information about issues concerning what music God accepts in corporate worship.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

I recently began reading an excellent book by John Flavel, Triumphing over Sinful Fear. The following paragraph arrested my attention:

It cannot be said of any person, as it is said of Leviathan: he is ‘made without fear’ (Job 41:33b). The strongest people are not without some fears. When the church is in the storms of persecution, and almost covered with the waves, her most courageous passengers may suffer as much from this boisterous passion within as from the storm without. This is the result of not thoroughly believing or seasonably remembering that the Lord—Admiral of all the oceans and Commander of all the winds—is on board the ship to steer and preserve it from the storm.

—Triumphing over Sinful Fear, 2

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

The early Christian writers aimed no polemic at the nobler art music or the folk music of their day. Had they been opposed to it, they would no doubt have spoken against it. Their denunciations of music were not general; rather, they were aimed at a few well-defined targets: the music of the popular public spectacles, the music associated with voluptuous banqueting, the music associated with pagan weddings, and the music of pagan religious rites and festivities. As we have already seen, they were not alone in their denunciations. They joined their voices with those of pagan Romans who were painfully aware of the decay of their civilization.

—Calvin R. Stapert, A New Song for an Old World: Musical Thought in the Early Church, 145

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Profoundly dangerous teaching about music from an influential writer on the subject:

Because true Christianity cannot be thought of apart from new creation, there should be no kind of music, however radical, however new, however strange, that is out of place in Christian worship, as long as it is faithfully offered. And no Christian, truly living by faith, should ever turn his or her back on and refuse to offer a musical piece simply because it is too radical.

—Harold M. Best, Music Through the Eyes of Faith, 154


See my post Resources That Provide Answers to Key Issues Concerning CCM for much more biblical information about issues concerning what music God accepts in corporate worship.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

In 1992, Tim Fisher wrote the following about CCM:

Christian Rebellion?

If it is true that rock music is the music of rebellion, then it follows that Christian rock music is the music of Christian rebellion. Christian rock exploits the generation gap that the secular rock culture has done so much to establish. The early arguments in favor of Christian rock pointed to it as a tool to draw masses to Christ and into the church. Twenty-five years of observation have shown just the opposite to be true. CCM is robbing our churches of their young people and turning them against their authorities—parents, pastors and Christian school teachers. CCM is breaking apart Christian colleges and organizations. It is polarizing the church into CCM supporters and nonsupporters. Pastors tell me regularly that no theological issue is breaking up their churches and causing people to leave like CCM.

—The Battle for Christian Music, 84-85

Is “Christian” rock “Christian” rebellion?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Tim Fisher expresses well the importance of singing Scripture in worship:

We have departed so much from the Word of God and the instruction of Scripture that probably not one church in a hundred ever sings Scripture at all! What a shame, since the New Testament tells us specifically that we ought to be using Scripture in our worship songs (not just scriptural thought, but Scripture). The only church hymnals in existence until 100 years ago were either primarily or totally Scripture passages or paraphrases. Songs of “human composure” were not even allowed in public worship until the nineteenth century. How far have we departed from the biblical ideal in such a short time! I am not advocating a total return to the Psalters, but I am insisting upon some return to songs of Scripture.

The Battle for Christian Music, 46

 

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.