Archives For Music

Satan and his demons exist—they are real. They are incorrigibly evil.

Satan and his demons are spirit beings in ways that humans as spirit beings are not and never will be.

Satan and his demons have experienced realities that no humans on their own have ever experienced or will ever experience. They have knowledge that no humans on their own have ever had or will ever have. They have powers, abilities, and capabilities that no humans on their own have ever had or will ever have.

Because of all these truths about Satan and his demons, evil that is the result of direct or indirect demonic activity is of a supernatural character that other forms of evil are not.

Occult activities, therefore, are supernatural evil activities that are of a distinctively different character than other evil activities.

In keeping with all the preceding points, we must not approach music that is of the occult in the same ways that we approach other music. The supernaturally evil aspects of such music require us to categorically reject all music that is distinctively of the occult.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Earlier this year, I decided to do something that I had never done before. I was going to sing through the entire book of Psalms word-for-word.

This project has been an interesting experience. Without using any hymnbooks or music, I began singing through each Psalm.

I tried to sing every word of each Psalm as best as I could without any concern for whether I was following any specific musicological principles or guidelines of singing. I tried to vary how I sang the verses in a way that seemed to me to fit what each verse said.

This morning, I made it through Psalm 100! As God directs, I intend to continue singing through the Psalms until I finish the book.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Throughout the world contemporary Christian music has captured countless churches, absorbing them into the domain of semi-charismatic, worldly evangelicalism. Sometimes the preaching has largely remained sound, but for how long now that the worship ethos of such churches has so dramatically changed? Whether its victims realise it or not, the contemporary worship movement is the instrument of the hour to pull down both the conduct and the doctrinal walls of Zion. How the arch-enemy of the churches of Christ and of human souls will be straining to speed on such a catastrophe! . . .

Even the partial adoption of contemporary worship will inevitably constitute a bridge to the total acceptance of ‘Christian’ rock culture. Composers and writers of ‘sounder’ modern genre songs say themselves that their primary aim is to draw conservative churches into the fold of Christian rock, and also to hasten ecumenical advance.

—Peter Masters, “Worship or Entertainment?,” 95-96

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Musics “o,” “p,” and “q” are special because they are the musics of people “m” who suffered greatly at the hands of people “n.”

All Christians who are of people “n” or are in the countries or regions of the world where people “n” are ascendant must accept musics “o,” “p,” and “q” as fully pleasing and acceptable to God because they are the musics of oppressed and brutally afflicted people “m.”

Any attempts to critique or reject musics “o,” “p,” and “q” on the basis of biblical, musicological, historical, or any other considerations are undeniable evidence of sinful partiality or respect of persons against people “m.”

Is this legitimate argumentation, sound reasoning, and sound doctrine about music?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

God directed the Israelites to make two trumpets—this, therefore, was not independent cultural musical activity. Furthermore, God determined what the trumpets would be made of (silver) and how they were to be made (“of a whole piece shalt thou make them”):

Numbers 10:1 And the LORD spake unto Moses, saying, 2 Make thee two trumpets of silver; of a whole piece shalt thou make them: that thou mayest use them for the calling of the assembly, and for the journeying of the camps.

God also specified how the trumpets were to be used through distinctively different soundings of them:

Blowing both trumpets but not sounding an alarm to assemble all the assembly:

Numbers 10:3 And when they shall blow with them, all the assembly shall assemble themselves to thee at the door of the tabernacle of the congregation.

Numbers 10:7 But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. 8 And the sons of Aaron, the priests, shall blow with the trumpets; and they shall be to you for an ordinance for ever throughout your generations.

Blowing only one trumpet to gather only the princes:

Numbers 10:4 And if they blow but with one trumpet, then the princes, which are heads of the thousands of Israel, shall gather themselves unto thee.

Blowing an alarm to direct the camps to move in specified ways:

Numbers 10:5 When ye blow an alarm, then the camps that lie on the east parts shall go forward. 6 When ye blow an alarm the second time, then the camps that lie on the south side shall take their journey: they shall blow an alarm for their journeys.

Blowing an alarm when going to war:

Numbers 10:9 And if ye go to war in your land against the enemy that oppresseth you, then ye shall blow an alarm with the trumpets; and ye shall be remembered before the LORD your God, and ye shall be saved from your enemies.

Blowing the trumpets over certain sacrifices on certain days:

Numbers 10:10 Also in the day of your gladness, and in your solemn days, and in the beginnings of your months, ye shall blow with the trumpets over your burnt offerings, and over the sacrifices of your peace offerings; that they may be to you for a memorial before your God: I am the LORD your God.

Discussion

This passage plainly teaches us that certain human beings (the Israelites) made two musical instruments (two silver trumpets) and engaged in certain musical activities (the soundings of the silver trumpets) such that all their activities with those instruments were supernaturally directed—this was not independent human musical activity that was culturally based.

Moreover, their heeding that entirely supernatural direction included at least two distinctively different soundings of those instruments: blowing an alarm versus blowing that was not the blowing of an alarm.

Conclusion

We, therefore, can say with certainty that the Bible does not teach that all musical activities of all people of all time have all been culturally determined. Rather, some of those musical activities have been supernaturally directed in both the making of the instrument or instruments used and the soundings of the instrument or instruments.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

I posted the following today on Sharper Iron:

 Skull drums matter because of key realities that they reveal, including the following:

1. We do not have any evidence that skull drums created themselves, evolved on their own, magically appeared on earth, or fell out of heaven.

Neither God nor holy angels nor righteous prophets or apostles or people made them. Someone had to make them. Who, then, made them, and what does their making them reveal? What does the existence of human skull drums teach us?

2. God made human skulls to be what they are. He did not make them to be used as percussion instruments in any manner in any musical activities.

Furthermore, skull drums are not made just from human skulls–they are made from one or more additional materials combined with something good that God made (human skulls).

What does that prove about what evil entities can make from one or more things that were in and of themselves good things that were made by God?

3. Any and all musical uses of drums made from human skulls is perverse musical activity that is totally and unchangeably unacceptable to God. What does God want righteous people to do concerning all musical activities done with drums made from human skulls?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Philippians 1:9 And this I pray, that your love may abound yet more and more in knowledge and in all judgment; 10 That ye may approve things that are excellent; that ye may be sincere and without offence till the day of Christ; 11 Being filled with the fruits of righteousness, which are by Jesus Christ, unto the glory and praise of God.

God has plainly instructed us that we have a Christian obligation to discerningly approve things that are excellent. Without any biblical warrant, some hold that this teaching does not apply to the instrumental music choices of God’s people.

The Bible does not in any way support this faulty teaching that excludes instrumental music choices from the scope of our necessary obligation to approve things that are excellent.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Scripture speaks of “a new song” in 9 verses:

Ps. 33:3 Sing unto him a new song; play skilfully with a loud noise.

Ps. 40:3 And he hath put a new song in my mouth, even praise unto our God: many shall see it, and fear, and shall trust in the LORD.

Ps. 96:1 O sing unto the LORD a new song: sing unto the LORD, all the earth.

Ps. 98:1 <A Psalm.> O sing unto the LORD a new song; for he hath done marvellous things: his right hand, and his holy arm, hath gotten him the victory.

Ps. 144:9 I will sing a new song unto thee, O God: upon a psaltery and an instrument of ten strings will I sing praises unto thee.

Ps. 149:1 Praise ye the LORD. Sing unto the LORD a new song, and his praise in the congregation of saints.

Isa. 42:10 Sing unto the LORD a new song, and his praise from the end of the earth, ye that go down to the sea, and all that is therein; the isles, and the inhabitants thereof.

Rev. 5:9 And they sung a new song, saying, Thou art worthy to take the book, and to open the seals thereof: for thou wast slain, and hast redeemed us to God by thy blood out of every kindred, and tongue, and people, and nation;

Rev. 14:3 And they sung as it were a new song before the throne, and before the four beasts, and the elders: and no man could learn that song but the hundred and forty and four thousand, which were redeemed from the earth.

A careful examination of these verses reveals the following points, which may be truths from the passages that many believers have not understood:

1. In all 9 passages, “song” is a noun modified by the adjective “new.” That adjective is not modifying anything else other than song in any of the passages.

2. Moreover, in 8 of the 9 passages, “song” is the direct object of forms of the verb “sing.”

3, “Song” is never the object of a verb signifying the playing of an instrument, and “new” in the 2 passages where instruments are explicitly mentioned is never an adverb modifying another word that has to do with the playing of an instrument.

4. Yes, 2 of the passages mention the use of musical instruments, but holding that the adjective “new” in those passages extends to the playing of those instruments as well as the song is not what the passages say.

5. None of the 9 passages says anything directly about the use of new kinds of instrumental music, the use of new instruments, etc. None of those passages requires us to hold that there must be a continual newness to our playing of musical instruments.

Conclusion

When the Bible speaks of “a new song,” the adjective “new” does not itself directly speak about anything to do with the use of musical instruments or instrumental music in ways that are continually new.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Habakkuk 3:17 Although the fig tree shall not blossom, neither shall fruit be in the vines; the labour of the olive shall fail, and the fields shall yield no meat; the flock shall be cut off from the fold, and there shall be no herd in the stalls: 18 Yet I will rejoice in the LORD, I will joy in the God of my salvation. 19 The LORD God is my strength, and he will make my feet like hinds’ feet, and he will make me to walk upon mine high places. To the chief singer on my stringed instruments.

The Spirit ended this inspired book of the Bible with explicit direction from a prophet to the chief singer that directs the chief singer only about the use of stringed instruments! No other kinds of instruments ever receive this kind of divine emphasis in Scripture through an exclusive mention of them in a book of the Bible!

Habakkuk 3:19 is yet another passage in Scripture that teaches us about the primacy of stringed instruments!


See also The Primacy of Stringed Instruments in the Book of Psalms

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Last night, I started doing something that I have thought about doing for a while. I am going to try singing through all the Psalms in order.

I am not going to use any hymnals or psalters, etc. in my singing. I may or may not try accompanying myself on the guitar by playing whatever suits my fancy and sounds ok to me.

As long as I say the words properly so that they are understandable and use differing pitches and rhythms, can anyone validly say that what I am doing is not singing that pleases God?

After all, God has not provided any inspired melodies or any specific musicological information about what I am supposed to be doing when I sing as long as I sing the words that He has inspired and do so by varying the pitches and rhythms.

Do you agree or disagree with this approach?

Based on what the Bible has revealed, does it really matter to God how I sing His inspired words as long as I am sincerely trying to sing to Him and He is the only one who will hear my singing?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.