Archives For Guitar Music

From my reading in the Reina Valera, I came up with the idea recently of using music in a different way to teach my Spanish guitar students truths about God. Here is a PDF of an exercise that uses major scales in the six main keys used in guitar (F, C, G, D, A, and E) to teach some Spanish names for God and some truths in Spanish about God. By learning this exercise, the guitar player not only learns some great truths about God, but also he learns how to play the notes for these six major scales!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Written by Bernard of Clairvaux, Jesus, Thou Joy of Loving Hearts,” is a good hymn for beginning to intermediate guitarists to learn because it is easy to play and has a nice melody with a rich text. This PDF provides the first stanza, melody notes, and chords for this hymn in the key of D using basic chords that every guitarist should learn and know well.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

“O Holy Night” is my favorite song of all time. Here is an MP3 recording of a guitar-cello duet of the song that a friend and I recently played for a service in our church.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Jesus Paid It All is a well-known hymn that is easy to play on the guitar in the key of D because it uses only 5 basic chords: D, A, A7, G, and G# dim. This PDF provides the melody notes, chords, and first stanza of the hymn plus a simplified bass line that advanced students can use to accompany themselves in various ways.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

In Part I, I treated Genesis 4:21, Job 21:12, Job 30:31, Job 35:10, Job 38:7, and Genesis 31:27 to bring out several points about what Scripture reveals about music early in the history of mankind. This article brings out a key truth seen from comparing these passages both among themselves and with other relatively early references to music.

Comparing These Passages among Themselves

Genesis 4:21 reveals that Jubal in the ungodly line of Cain may have invented two musical instruments:

Gen 4:21 And his brother’s name was Jubal: he was the father of all such as handle the harp [Heb. כִּנּוֹר; a stringed instrument] and organ [Heb. עוּגָב; a wind instrument].

Job 21:12 reveals that wicked people used three different instruments at the time of Job:

Job 21:7 Wherefore do the wicked live, become old, yea, are mighty in power? . . . 12They take the timbrel (Heb. תֹּף; a percussion instrument) and harp [Heb. כִּנּוֹר; a stringed instrument], and rejoice at the sound of the organ [Heb. עוּגָב; a wind instrument].

Job 30:31 shows that Job either played two of the same instruments as the wicked did or had someone in his household who did so:

Job 30:31 My harp [Heb. כִּנּוֹר] also is turned to mourning, and my organ [Heb. עוּגָב] into the voice of them that weep.

Regardless of which way we understand the verse, we see that God’s people used the same instruments at this time that the wicked did.

Moreover, Job was the most righteous person of his time (Job 1:8; 2:3). His use of the same instruments as the ungodly used forcefully supports the propriety of doing so.

Comparing These Passages with Other Early References to Music

Some later passages both confirm this conclusion and go beyond it.

After God destroyed Pharaoh and his armies in the Red Sea, Miriam and all the women used timbrels to extol God in dance and song:

Exo 15:20 And Miriam the prophetess, the sister of Aaron, took a timbrel (Heb. תֹּף) in her hand; and all the women went out after her with timbrels (Heb. תֹּף)and with dances.  21 And Miriam answered them, Sing ye to the LORD, for he hath triumphed gloriously; the horse and his rider hath he thrown into the sea.

These Israelite women used the same instrument (“timbrel” [Heb. תֹּף]) that the ungodly used back in the time of Job (Job 21:12). More importantly, these women used the timbrel in a sacred setting!

Other relatively early references show God’s people using in sacred settings all the instruments mentioned in earlier references to the music of the wicked:

1Sa 10:5 After that thou shalt come to the hill of God, where is the garrison of the Philistines: and it shall come to pass, when thou art come thither to the city, that thou shalt meet a company of prophets coming down from the high place with a psaltery, and a tabret (Heb. תֹּף), and a pipe, and a harp [Heb. כִּנּוֹר], before them; and they shall prophesy:

Psa 150:4 Praise him with the timbrel (Heb. תֹּף) and dance: praise him with stringed instruments and organs [Heb. עוּגָב].

Whereas First Samuel 10:5 attests that specially consecrated people of God used these instruments in his service, Psalm 150:4 attests to the propriety of all of God’s people doing so.

This analysis of music in the early history of God’s peoples conclusively shows that God’s people used the same instruments as the wicked did, including serving and worshiping Him with those instruments. What’s more, He commanded them to use those very instruments in their serving and worshiping Him (e.g., Ps. 150:4)!

The Contemporary Significance of These Passages

Some believers today object to Christian use of the guitar because of its “paganistic origins.”[1] Some believers also object to its use in Christian worship because of how ungodly people have used it to play ungodly music in ungodly settings.

A careful examination of Scripture, however, shows that these are invalid objections because God’s people have used in their service and worship of God (1 Sam. 10:5) instruments that the wicked may have invented (Gen. 4:21). In fact, God commanded them to do so (Ps. 150:4).

Furthermore, they did so at the same time that the wicked were using those same instruments to play music in their ungodly lives (e.g., Job 30:31 cf. 21:12).

Believers today who choose to use the guitar appropriately in Christian worship have abundant and conclusive Scriptural basis for doing so.

 


[1] One person voiced his concern this way: “Do you know that guitars have paganistic origins. Maybe you should research more into the history of classical guitars before you promote it so much.”

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

“The God of Abraham Praise” is a beautiful hymn that is adapted from a traditional Hebrew melody. This PDF provides the melody notes, first stanza, and guitar chords for this hymn in the key of Em.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Here is a PDF of the melody notes, first stanza, and basic chords of Faith of Our Fathers played in the key of G. Because the song has 8 basic chords in it, it is a good song for advancing beginners to use to learn how to strum and pick a song that is a little more advanced than songs that use only three chords..

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Be Thou My Vision is a wonderful hymn. This PDF provides the melody notes, chords, and first stanza of the hymn in the key of D.


See much more free guitar music and many other free guitar resources here.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Santo, Santo, Santo is a classic Spanish hymn. This PDF provides the first stanza, melody notes, and guitar chords for the song, and this audio MP3 file provides the melody so that you can practice both the melody and the chords while listening to the melody!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Highly skilled guitarists are able to play wonderful solos that are very suitable for preludes, offerings, and other forms of special music in church services. For many reasons, most Christian guitarists, however, will never attain the high levels of skill and musicianship necessary to glorify God with the skillful playing of guitar solos.

By contrast, many people who will never be great soloists can still become highly competent accompanists by learning the following five great ways to use the guitar to accompany others:

Strumming and Picking

Strumming and picking are the two primary ways that the guitar has been used historically to accompany other musicians. The vast array of strumming and picking patterns available to skilled guitarists makes these accompaniment styles two great ways that the guitarist can complement other musicians nicely.

My friend Daniel Hendrix and I have recorded a video Symphony No. 9 “From the New World” that displays the use of the guitar to accompany another musician with these two accompaniment styles. In this video, I strum the chords the first and the third times that we play the piece and pick them on the second time.

In addition to strumming and picking, there are three other great ways to use the guitar to accompany other musicians. Developing skill in these other accompaniment styles makes a Christian guitarist far more capable of richly enhancing the musical ministry of both vocalists and other Christian instrumentalists.

Playing a Single Harmony Part

Most guitarists learn to read notes from the treble clef and play them an octave lower than they are played and sung by other musicians. By learning to read both bass and treble clefs and to play the notes at the same pitches that they are played and sung by other musicians, a guitarist can accompany others very nicely.

I often use this accompaniment style with my students. For example, I often play the tenor part of a hymn while they play the melody.

Playing Multiple Harmony Parts at the Same Time

Another benefit of learning to play from both clefs is having the ability to play multiple harmony parts at the same time. This accompaniment style provides a guitarist with another rich way to accompany a vocalist or another instrumentalist.

For example, the guitarist can strum on stanza one of a hymn, play multiple harmony parts on stanza two, and then pick on stanza three. I often accompany my students in their lessons by playing both the bass and tenor parts while they play the melody.

Playing the Melody and One or More Harmony Parts at the Same Time

Another useful variation is to play the melody and the alto part of a hymn at the same time while another guitarist strums or picks. I use this style often (playing both parts an octave lower than written, as with the traditional guitar method), and I am also developing more skill at playing similarly the melody and the tenor part of a hymn together.

By learning these five great ways to accompany others, a Christian guitarist can still glorify God in music ministry even though God has not gifted him to be a skilled guitar soloist!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.