Archives For Music

Profoundly dangerous teaching about music from an influential writer on the subject:

Because true Christianity cannot be thought of apart from new creation, there should be no kind of music, however radical, however new, however strange, that is out of place in Christian worship, as long as it is faithfully offered. And no Christian, truly living by faith, should ever turn his or her back on and refuse to offer a musical piece simply because it is too radical.

—Harold M. Best, Music Through the Eyes of Faith, 154


See my post Resources That Provide Answers to Key Issues Concerning CCM for much more biblical information about issues concerning what music God accepts in corporate worship.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

A large group of people who virulently hate God gather in a remote location to curse God corporately for an extended period. Their blasphemous activities include the use of lots of musical instruments.

This group uses melodies in songs written by and known only to the people who attend the event. The instrumental music played throughout the event to accompany the singing is all new music written specifically for the event.

A Secret Recording

At some distance from the event, some animal researchers happen to hear the loud musical sounds emanating from the gathering. Fearing for their personal safety, the researchers do not want the large group to discover their presence.

The researchers have with them state of the art audio equipment. They use it secretly from a distance to record the musical activities of the blasphemers. Because of the distance involved, the equipment cannot pick up any of the lyrics of the songs. The equipment only records the composite sound from a distance of the singing accompanied by the musical instruments.

The researchers do not know anything about the nature of the group or why they have gathered. They cannot hear any of the words the people sing, but they are able to tell that the group is singing.

What Should We Think?

From a human standpoint, what are we to think of the morality of the composite sound that the researchers record? Anyone who would hear that recording of the composite sound would not know anything about either the words being sung or the instrumental music accompanying it. Would that composite sound recording, therefore, be an amoral musical recording for any people who hear it?

God, angels, and demons, however, would know exactly all that the group did and and sang on this occasion. Because of their full knowledge about the event, would that recording still be an amoral recording simply because it is a recording of composite sound of humanly unknown and unknowable lyrics sung to musical accompaniment that is humanly unknown and unknowable?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Exodus 32 is an important passage in Scripture on the subject of worship. I recently engaged in a lengthy online discussion on Sharper Iron concerning that passage: “How Does God Want Christians to Profit concerning Worship from Exodus 32:17-20.”

I then conducted a follow-up poll on the question: “Is Exodus 32:17-18 divine revelation about worship music?

Respondents chose from 7 answers: “Yes, for sure; Probably; Maybe; Not sure; Probably not; No; or, Absolutely not.”

Poll Results

The results of the poll were shocking. Out of 22 respondents, 3 voted “No” and 14 voted “Absolutely not.” Only 2 people voted “Yes, for sure” and 1 voted “Probably.”1

Poll Analysis

Are the majority of the responses in this poll the correct view about Exodus 32:17-18? A careful analysis of the passage and of other relevant passages answers that question decisively.

Undeniably, Exodus 32:17-18 is divine revelation that has been given by inspiration of the Spirit:

Exodus 32:17 And when Joshua heard the noise of the people as they shouted, he said unto Moses, There is a noise of war in the camp. 18 And he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear.

Because verse 18 mentions singing explicitly, these verses are undeniably divine revelation about music. The only question that remains is whether these verses are divine revelation about worship music.

Exodus 32:5 shows that what took place in the Golden Calf Incident (GCI) took place on an occasion that was supposed to have been a feast to the Lord, which would have been a divinely ordained occasion of corporate worship (cf. John 12:20). In addition, apostolic citation of Exodus 32:6 in 1 Corinthians 10:7 decisively shows that the GCI was an occasion of worship because it says that they were idolaters on that occasion:

1 Corinthians 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.

1 Corinthians 10:7 μηδὲ εἰδωλολάτραι γίνεσθε, καθώς τινες αὐτῶν· ὡς γέγραπται, Ἐκάθισεν ὁ λαὸς φαγεῖν καὶ πιεῖν, καὶ ἀνέστησαν παίζειν.

Furthermore, Paul specifies that their idolatrous worship extended to their eating and drinking what had been offered to the idol and to their subsequent playing. The Greek verb παίζειν that is rendered “to play” in this statement is used in the LXX to signify singing and playing of musical instruments:

1 Chr. 13:8 And David and all Israel played before God with all their might, and with singing, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets.

1 Chr. 13:8 καὶ Δαυιδ καὶ πᾶς Ισραηλ παίζοντες ἐναντίον τοῦ θεοῦ ἐν πάσῃ δυνάμει καὶ ἐν ψαλτῳδοῖς καὶ ἐν κινύραις καὶ ἐν νάβλαις ἐν τυμπάνοις καὶ ἐν κυμβάλοις καὶ ἐν σάλπιγξιν

This biblical data justifies holding that the idolatrous worship in the GCI included their singing.

Conclusion

In spite of the prevailing view to the contrary that is held by most of the respondents to this poll, a careful handling of Exodus 32:17-18 shows that it is definitively divine revelation concerning worship music.


Notes

1 One of the people who responded to this poll on SI conducted the same poll in a closed Facebook group of fundamentalist pastors. He found that 24 of the 30 pastors said that Exodus 32:17-18 is not divine revelation about worship music. If anything, his results are more shocking than mine are because of the nature of the group that he polled.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

A professional CCM musician recently made the following revealing comment to an online article about CCM:

I’m a professional musician who has and does work with some of the most well known CCM artists. I’ve done tours, recorded on their albums , etc.. I can tell you first hand that it’s about the bottomline, not Jesus. The hypocrisy is rampant. And I will say many are not believers. I was on a tour bus one year with a well known act and I was mocked for reading my bible. I was yelled at by the drummer for calling out heretics on TBN. Many musicians like myself who work in the CCM market are not believers. They all call themselves Christian’s, but their words and actions betray them. And the biblical ignorance is beyond breathtaking. There ate [sic] true believers players and artists alike, but far and few between.

This article provides telling information about CCM. The comments are especially informative.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Russian president Vladimir Putin recently made some striking remarks about rap music:

“Rap is based on three pillars: sex, drugs and protest.” But he is particularly concerned with drug themes prevalent in rap, saying “this is a path to the degradation of the nation.”

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

The Spirit has spoken about what took place in the Golden Calf Incident (GCI) in at least six passages in six different books of the Bible (59 total verses in Exod. 32, Deut. 9, Neh. 9, Ps. 106, Acts 7, and 1 Cor. 10). God has thus highlighted what took place in the GCI in a way that demands our careful attention to what He has revealed about that event.

Exodus 32, the longest record of that event, reveals that singing was a part of what took place on that occasion:

Exodus 32:17 And when Joshua heard the noise of the people as they shouted, he said unto Moses, There is a noise of war in the camp. 18 And he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear. 19 And it came to pass, as soon as he came nigh unto the camp, that he saw the calf, and the dancing: and Moses’ anger waxed hot, and he cast the tables out of his hands, and brake them beneath the mount.

Because the Spirit has given this revelation to us about their singing, we know that He intends for us to profit from it. Does He want us to understand that their singing on this occasion was ungodly singing?

Was Their Singing Ungodly?

To answer this question, we note that the passage does not provide any record of an explicitly negative evaluation of the singing. The record, however, shows that from a distance the sound of the singing was not of such a nature that it would have led everyone who heard it to know definitively that it was the sound of singing.

We know that this is true because Joshua did not accurately interpret that sound that he was hearing as the sound of singing. For him, the sound was of such a character that he thought that the people were engaged in fighting a war (Exod. 32:17).

Moses, however, discerned correctly that the sound that they were hearing from a distance was the sound of singing (Exod. 32:18). Because the passage does not record any evaluative statements by Moses of the singing, we cannot determine its character from any direct statement by him.

A Broader Consideration of Their Singing

In order to evaluate further the nature of the sound of the singing that Moses heard, we have to examine the passage more broadly. When we do so, we find that this singing did not take place until the people had first engaged in eating sacrifices that had been offered to the golden calf:

Exodus 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play.

Because the Spirit says that the people “rose up to play” after they had consumed the sacrifices and then He reveals to us specifically that what the people did was to sing (Exod. 32:18) and dance (Exod. 32:19), we learn that their playing on this occasion consisted at least of their singing and dancing.

Based on Moses’ anger waxing hot when he saw the dancing (and the calf; Exod. 32:19), we know that their dancing was ungodly dancing. Was their singing also ungodly?

The NT answers that question by revealing the divine evaluation of their playing on this occasion:

1 Corinthians 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.

It is crucial to note that Paul writes that their idolatry included not just their eating and drinking those sacrifices but also their subsequent playing. This revelation tells us that their playing on that occasion was of a wicked, idolatrous nature and that God commands us through this revelation not to be idolatrous in that way.

Based on this NT revelation, we know that both their singing and dancing were of a wicked, idolatrous nature that God commands us not to engage in.

Conclusion

The sound that Joshua and Moses heard from a distance was the sound of people engaging in singing idolatrously—Exodus 32 is the record of an event featuring the sound of ungodly singing!

 

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

“Satisfied” by Clara T. Williams is a hymn that powerfully testifies to the satisfaction that knowing Jesus brings to the life of a believer. This PDF provides the first stanza, melody notes, and chord symbols for all the chords to play the song in the key of D.

If you are an advanced guitarist, play all the chords to this song. To make the song easier to play, play the chords as normal chords instead of playing them as slash chords (for example, play Em7 instead of Em7/D).

With this mp3 audio of the song, you can practice playing the chords while hearing the melody (there are 5 introductory beats before the song begins).

 

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

The Golden Calf Incident (GCI) is an infamous biblical account of idolatrous worship. Exodus 32 provides the lengthiest record of what took place on that occasion and informs us that both singing and dancing were part of their worship:

Exodus 32:18 And he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear.

Exodus 32:19 And it came to pass, as soon as he came nigh unto the camp, that he saw the calf, and the dancing: and Moses’ anger waxed hot, and he cast the tables out of his hands, and brake them beneath the mount.

In spite of the record of their singing and dancing, many people believe that the lack of mention of musical instruments in any of the passages that record the GCI means that there were no musical instruments used in their worship at that time. Is it a reasonable position to hold that these people sang a cappella and danced “a musica”1?

The Relevance of Exodus 15 to the Interpretation of Exodus 32

After the Israelites had crossed the Red Sea and God had drowned Pharaoh and all his hosts, the Israelites sang praise to God for the deliverance that He had provided them (Exod. 15:1-19). Miriam then led all the women in singing and dancing that was accompanied by the playing of timbrels:

Exodus 15:20 And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances. 21 And Miriam answered them, Sing ye to the LORD, for he hath triumphed gloriously; the horse and his rider hath he thrown into the sea.

Exodus 15 thus establishes an important precedent that the Israelites used musical instruments in corporate worship of God that included both singing and dancing. Because we know that the Israelites had at least timbrels and had used them prior to the GCI in worship that included both singing and dancing, we do not have any biblical basis to hold that the Israelites did not use at least timbrels in the GCI.

Conclusion

Allowing Scripture to interpret Scripture, there is no reasonable basis to hold that the GCI was an occasion of idolatrous worship where the people sang and danced without the use of any musical instruments. Exodus 32 is not a record of singing and dancing without the use of musical instruments.2


1 “A musica” is a term that I coined to signify when dancing is done without the use of musical instruments to accompany the dancing.

2 For more information about the Golden Calf Incident, see point #12 on this page.

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

I recently read through Ezekiel and was again struck by what God said that He would do when He would judge Tyre:

Ezekiel 26:13 And I will cause the noise of thy songs to cease; and the sound of thy harps shall be no more heard.

Based on conversations that I have had online with some other believers, it seems that the common interpretation of this text is that it is not revealing that there was anything bad or sinful about the music of Tyre; rather, the text communicates that God would bring to an end the enjoyment of music in Tyre.

I have never found this interpretation tenable. I think that there are at least the following four problems with it:

1. If the point of verse were that God would bring an end to their enjoyment of music when He would destroy them, why does the text elaborate by speaking of both their vocal music and their instrumental music instead of just saying that He would cause their music to end?

2. When a nation becomes wicked to the extent that God determines to destroy it, we do not have any good reason to think that their wickedness would not also express itself in what they sing, how they sing what they sing, what they play on musical instruments, and how they play what they play on those instruments.

3. In the immediately surrounding context of this statement, God’s judgment on many other nations surrounding His people is related, but none of the passages that relate His judgment of all those other nations speaks of His bringing their enjoyment of music to an end:

Ammonites (25:1-7); Moab & Seir (25:8-11); Edom (25:12-14); Philistines (25:15-17); Tyre (26:1-28:19); Sidon (28:20-26); Egypt (29:1-32:32)

Why is the cessation of music only said about the people of Tyre and not about any of the other nations that God was going to destroy at that time?

4. If the point is that destroying them will bring about the denial of their enjoyment of all good things, why does the passage mention explicitly both their vocal and instrumental musical activities instead of their art, dancing, literature, drama, sports, etc.? To put it differently, according to the denial-of-enjoyment-of-good-things view, how do you explain that the cessation of their music is specifically mentioned but there is no mention of the cessation of their enjoyment of any of these other cultural activities that people also enjoy?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.

Ezekiel 26:13 And I will cause the noise of thy songs to cease; and the sound of thy harps shall be no more heard.

Because God revealed that He would do this and inscripturated it, we can be certain that we are to consider what this statement reveals to us.

How does God want us to profit from this statement about what He would do to the sound of the harps of Tyre?

Here are some possibilities to consider:

God decreed that He would bring an end to the sound of their harps because . . .

1. The people of Tyre were ungodly people.

2. The people who were playing the harps were ungodly people.

3. The setting, purpose, motivation, etc. of the people who were playing the harps was ungodly.

4. The actual sounds of the music that was being produced by the harps were themselves ungodly.

What exegetical and theological principles do we use to determine whether God wants us to understand that one or more or all of these were true about His bringing the sound of the harps of Tyre to an end?

Copyright © 2011-2025 by Rajesh Gandhi. All rights reserved.