What does ungodly worship music sound like? Two verses describe the sound of the music on a premier occasion of ungodly worship, the Golden Calf Incident:

Exodus 32:17 And when Joshua heard the noise of the people as they shouted, he said unto Moses, There is a noise of war in the camp. 18 And he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear.

Scripture reveals here that the idolatrous playing in the GCI (cf. 1 Cor. 10:7) included corporate shouting that was an aspect of their singing. To understand why this was the sound of ungodly worship music, consider what these two men said about that sound.

Joshua’s Remark about the Sound of Their Idolatrous Worship Music

Joshua did not identify this composite musical sound emanating from the camp as music at all. Instead, he said that it was the noise of war.

Joshua certainly had heard godly Israelite worship music in the past (Ex. 15). He was was very familiar with its sound. His not identifying this sound as music shows that these idolaters were not playing instruments and singing in any godly Israelite style(s).

Moreover, the people, in fact, were not engaged in any battle yet their worship music sounded like war to Joshua. The Bible never says that any godly Israelite worship music sounded like war.

We know that these people were partnering with demons in their idolatrous playing (1 Cor. 10:20 applied to 1 Cor. 10:7). They were co-participants with demons in their unfruitful works of darkness (Eph. 5:11).

Certainly, therefore, the Spirit did not energize or control any of these idolaters to produce godly music (Eph. 5:18-20; Col. 3:16-17). Joshua’s testimony about their music shows that it did not display any of the fruit of the Spirit (Gal. 5:22-23).

Joshua’s testimony about the music of the GCI points to its being ungodly music.

Moses’ Response to Joshua Illumines What Ungodly Worship Music Sounds Like

Concerning the music of the GCI, Joshua remarked, “There is a noise of war in the camp.” Moses responded that the sound was not two specific sounds of war that they could recognize accurately, even from afar.

Moses first said, “It is not the voice of them that shout for mastery.” He explained that when people in a battle gain mastery over their opponents, they respond by shouting in a manner that communicates their victory in the battle.

The sound emanating from the camp was not the recognizable sound of people shouting in their singing to celebrate their mastery. Such people sing joyfully with a shout of triumph that has a distinctly recognizable sound even from a distance.

Moses then added, “Neither is it the voice of them that cry for being overcome.” Moses explained that there is a distinctively recognizable sound that people produce when they have lost a battle and are mourning at their defeat.

People defeated in a battle do not sing joyfully with a triumphant shout because they did not win the battle. Their shouting is the mournful sound of people bemoaning their having lost the battle.

The Combined Force of the Remarks of Both Joshua and Moses

Taken together, the inspired revelation in Exodus 32:17-18 about the sound of the singing in the GCI shows us that the musical composite sound emanating from the camp was neither the sound of people joyfully shouting in celebrating their victory nor the sound of people mournfully shouting in lamenting their defeat. This revelation, therefore, tells us that the war-like musical composite sound emanating from the camp sounded like the uncertain, indistinct, chaotic sounds of people engaged in a battle where neither side is winning the battle and the battle is still raging.

These musical sounds were not at all the distinctive sound of godly Israelites worshiping God with the joyful sound of people praising the Lord in a religious feast that pleased Him. Moses’ response to Joshua illumines Joshua’s remark by further showing that the musical sound emanating from the camp in the GCI was the ungodly composite musical sound of people celebrating in an ungodly way.

NT Revelation That Shows the Ungodliness of The Sound of Their Music

Explicit NT revelation shows us that the composite musical sound emanating from the camp was an ungodly sound because it did not at all meet the divinely revealed criteria of producing sounds that are distinctive such that they communicate clearly the meaning of those sounds:

1 Corinthians 14:7 And even things without life giving sound, whether pipe or harp, except they give a distinction in the sounds, how shall it be known what is piped or harped? 8 For if the trumpet give an uncertain sound, who shall prepare himself to the battle?

When worship music has an indistinct, uncertain sound, it does not meet God’s criteria for the proper use of music.

By comparing Scripture with Scripture, 1 Cor. 14:7-8 applied to Exodus 32:17-18 decisively shows us that the musical sound of the people shouting in their singing in the GCI was not the godly sound of people celebrating a religious feast in a godly way with singing and the use of musical instruments that produced a distinctively recognizable composite sound.

Instead, the composite musical sound emanating from the camp was an ungodly sound of people singing and playing musical instruments in ungodly ways. Their music did not sound like any of the godly worship music of Israel.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Few believers understand that Scripture provides us with an inspired record of demonically influenced music!

To understand where and how it does so, see my posts in this thread: We Must Heed the Vital Message of 1 Corinthians 10:18-20.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Genesis 4:21 provides the earliest recorded information about human musical activity. Consequently, I have been studying it extensively to probe what it reveals to us about music.

Recently, God has provided me with much additional illumination related to interpreting this revelation properly. Therefore, I would like to invite you to profit from this ongoing discussion: What Does Genesis 4:21 Teach Us about Music?

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

The Spirit has spoken about what took place in the Golden Calf Incident (GCI) in at least six passages in six different books of the Bible (59 total verses in Exod. 32, Deut. 9, Neh. 9, Ps. 106, Acts 7, and 1 Cor. 10). God has thus highlighted what took place in the GCI in a way that demands our careful attention to what He has revealed about that event.

Exodus 32, the longest record of that event, reveals that singing was a part of what took place on that occasion:

Exodus 32:17 And when Joshua heard the noise of the people as they shouted, he said unto Moses, There is a noise of war in the camp. ¹⁸ And he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear. ¹⁹ And it came to pass, as soon as he came nigh unto the camp, that he saw the calf, and the dancing: and Moses’ anger waxed hot, and he cast the tables out of his hands, and brake them beneath the mount.

Because the Spirit has given this revelation to us about their singing, we know that He intends for us to profit from it. Does He want us to understand that their singing on this occasion was ungodly singing?

Was Their Singing Ungodly?

To answer this question, we note that the passage does not provide any record of an explicitly negative evaluation of the singing. The record, however, shows that from a distance the sound of the singing was not of such a nature that it would have led everyone who heard it to know definitively that it was the sound of singing.

We know that this is true because Joshua did not accurately interpret that sound that he was hearing as the sound of singing. For him, the sound was of such a character that he thought that the people were engaged in fighting a war (Exod. 32:17).

Moses, however, discerned correctly that the sound that they were hearing from a distance was the sound of singing (Exod. 32:18). Because the passage does not record any evaluative statements by Moses of the singing, we cannot determine its character from any direct statement by him.

A Broader Consideration of Their Singing

In order to evaluate further the nature of the sound of the singing that Moses heard, we have to examine the passage more broadly. When we do so, we find that this singing did not take place until the people had first engaged in eating sacrifices that had been offered to the golden calf:

Exodus 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play.

Because the Spirit says that the people “rose up to play” after they had consumed the sacrifices and then He reveals to us specifically that what the people did was to sing (Exod. 32:18) and dance (Exod. 32:19), we learn that their playing on this occasion consisted at least of their singing and dancing.

Based on Moses’ anger waxing hot when he saw the dancing (and the calf; Exod. 32:19), we know that their dancing was ungodly dancing. Was their singing also ungodly?

The NT answers that question by revealing the divine evaluation of their playing on this occasion:

1 Corinthians 10:7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.

It is crucial to note that Paul writes that their idolatry included not just their eating and drinking those sacrifices but also their subsequent playing. This revelation tells us that their playing on that occasion was of a wicked, idolatrous nature and that God commands us through this revelation not to be idolatrous in that way.

Based on this NT revelation, we know that both their singing and dancing were of a wicked, idolatrous nature that God commands us not to engage in.

Conclusion

The sound that Joshua and Moses heard from a distance was the sound of people engaging in singing idolatrously—Exodus 32 is the record of an event featuring the sound of ungodly singing!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.