Archives For Music

Through the psalmists, God commands us at least five times to make a joyful noise to Him.

Ps. 66:1  <To the chief Musician, A Song or Psalm.> Make a joyful noise unto God, all ye lands:

Ps. 81:1  <To the chief Musician upon Gittith, A Psalm of Asaph.> Sing aloud unto God our strength: make a joyful noise unto the God of Jacob.

Ps. 98:4  Make a joyful noise unto the LORD, all the earth: make a loud noise, and rejoice, and sing praise.

Ps. 98:6  With trumpets and sound of cornet make a joyful noise before the LORD, the King.

Ps. 100:1  <A Psalm of praise.> Make a joyful noise unto the LORD, all ye lands.

Three times, He commands all the earth to do so (Ps. 66:1; 98:4; 100:1). He also commands that we would do so by playing musical instruments (Ps. 98:6).

Moreover, we are to do so with thanksgiving and we are to do so with the Psalms.

Ps. 95:1  O come, let us sing unto the LORD: let us make a joyful noise to the rock of our salvation. 2  Let us come before his presence with thanksgiving, and make a joyful noise unto him with psalms.

Application

We only give God the full glory that we owe Him when we worship Him joyfully through making a joyful noise to Him gratefully with Psalms and with musical instruments. Let us do so and let us make known to all the earth to do so!

 

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

First Corinthians 10:23 may be a passage that some believers may think supports holding that all musical styles are fit for worship because of what it says about all things being lawful for them:

1 Corinthians 10:23 All things are lawful for me, but all things are not expedient: all things are lawful for me, but all things edify not.

Because of what this passage teaches, we can diagram what it teaches using the Venn diagram at the top of the post. In brief, all things are lawful, but because all things are not expedient, all things that are expedient is a subset of all things that are lawful.

Similarly, all things that edify is also a subset of all things that are lawful.

Furthermore, the diagram shows that there is an unknown amount of overlap between the things that are expedient and the things that edify. That overlap would be all things that are lawful, expedient, and edify.

Application to Our Understanding about All Musical Styles

If one understands that the teaching about “all things” being lawful in this verse applies to our understanding about all musical styles, then the verse would teach that all musical styles are lawful. It is vital, however, to understand what else the verse would then teach about all musical styles.

Because the verse clearly teaches that it is not true that all things are expedient, the verse would then teach that not all musical styles are expedient. Moreover, because the verse clearly teaches that it is not true that all things edify, the verse would then teach that not all musical styles edify.

We would then have divine revelation saying to us that not all musical styles would be expedient and not all musical styles would edify. Because not all musical styles would be expedient and not all musical styles would edify, not all musical styles would be fit for use in worship because only styles that are lawful, expedient, and edify can be used in worship.

Thus, even it were true that the Bible taught that all musical styles are lawful (it does not teach this), it still would not be true that believers could use all musical styles in worship. They would still only be able to use a lawful style (or styles) that both is expedient and does edify.

Conclusion

Because of the teaching of 1 Corinthians 10:23, we know that it is not true that all musical styles are expedient, and we also know that it is not true that all musical styles edify. All musical styles, therefore, are not fit for use in worship.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Over several years of online exchanges with various believers who defend the use of CCM, I have encountered persistent claims that I believe are very mistaken and dangerous claims. What’s even more disturbing is that I have had several exchanges with believers who themselves are generally musically conservative but have fiercely made some of the very same claims that some of those CCM defenders have made.

The Claims of Some CCM Defenders concerning Addressing Music of the Occult

I have had some very intense exchanges with some supporters of CCM who have claimed that I must do the following concerning various musics of the occult against which I have spoken and written:

1. Show how and why it is demonic

2. Define the terms that I use to speak of it

3. Provide specific examples of it

4. Give detailed, specific information about it

Are these legitimate claims or are they very mistaken and dangerous claims? To address this matter, we need to look carefully at how the glorified Christ handled issues concerning the occult in a church late in the first century AD.

The Glorified Christ’s Confrontation of Issues about the Occult in a Church

The glorified Christ fiercely confronted believers in the church in Thyatira concerning issues about the occult in their midst:

Rev 2:18 And unto the angel of the church in Thyatira write; These things saith the Son of God, who hath his eyes like unto a flame of fire, and his feet are like fine brass;

19 I know thy works, and charity, and service, and faith, and thy patience, and thy works; and the last to be more than the first.

20 Notwithstanding I have a few things against thee, because thou sufferest that woman Jezebel, which calleth herself a prophetess, to teach and to seduce my servants to commit fornication, and to eat things sacrificed unto idols.

21 And I gave her space to repent of her fornication; and she repented not.

22 Behold, I will cast her into a bed, and them that commit adultery with her into great tribulation, except they repent of their deeds.

23 And I will kill her children with death; and all the churches shall know that I am he which searcheth the reins and hearts: and I will give unto every one of you according to your works.

24 But unto you I say, and unto the rest in Thyatira, as many as have not this doctrine, and which have not known the depths of Satan, as they speak; I will put upon you none other burden.

In this passage, Christ reproached sinful people in a church who had allowed a false teacher in the church named Jezebel to have very perverse influence in the church (Rev. 2:20-23).

By striking contrast, Christ later spoke of people in the church about whom He said that they had not come to know “the depths of Satan,” as others in the church spoke of (Rev. 2:24).

Saying these things, Christ implicitly revealed that there were both people in the church who had come to know “the depths of Satan” and those who had not.

This key revelation about what some people in the church had come to know requires very careful treatment to address whom we should follow in our day concerning issues about occult music—various CCM defenders or the glorified Christ.

Notice carefully all the things that the glorified Christ did not do concerning what He implicitly revealed about certain people in the church having known “the depths of Satan.”

1. Having accepted at face value their characterization of whatever that knowledge was as being demonic, He did not argue for why it was demonic or explain how it was demonic.

2. He used their term for describing that knowledge and did not define in any way their term that He used to speak out implicitly against people’s knowing what these demonic depths were!

3. He did not provide any examples—specific or otherwise—about what these demonic depths were!

4. He did not give any detailed, specific information about what these demonic depths were!

5. He did not place any burden on those who had not known these demonic depths to do research and learn more information about what these demonic depths were!

Discussion

Applying directly how we see the glorified Christ Himself dealt with people in a church about coming to know about things of the occult, devoted believers do not have to show how or why music of the occult is demonic—they must accept as valid that characterization of it by those who use that music. They do not have to and must not seek to show how or why it is demonic.

Devoted believers are fully justified in using the terms that occultists use to speak of their music and in not defining those terms in any way. They must not seek to define for themselves what those terms mean.

Devoted believers must not provide specific examples or give specific, detailed information about music of the occult! It is fully biblical to reject music of the occult without doing any of these things.1

Conclusion

Devoted believers must not follow what some CCM defenders claim must be done concerning addressing issues about music of the occult; rather, we must follow the glorified Christ in addressing such things by holding as valid designations from occultists that their music is occult music.

Furthermore, we must speak only generically about it using their terms, not seek to define those terms, not provide any examples, and not provide any specific, detailed information!2

Finally, we must not seek any in-depth knowledge about music of the occult. Rather, we must reject all of it categorically!


1 Concerning understanding Jesus’ example as establishing these prohibitions, I believe that this approach applies specifically to things concerning the occult; I am not arguing that is necessarily the case concerning addressing other matters for which Jesus did not provide specific information, etc.

Furthermore, what Jesus did here is in keeping with the divine mandate not to even inquire how certain evil people worship their gods (Deut. 12:30-31) and the command to be simple concerning evil (Rom. 16:19) as well as the teaching of Ephesians 5:11.

2 For additional biblical support, see my article, “Is Defining Terms Vital in the CCM Debate?

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

On Sharper Iron, I am currently engaged in some very intense exchanges with some supporters/sympathizers of CCM. This thread concerns what I believe is an unethical campaign that has been waged against me for some time now by some SI users.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

I recently finished reading “New Heart, New Spirit, New Song,” by Douglas Bachorik. It is well-written and provides much valuable information.

Having read several books, and many articles, and other materials from both sides, especially from those who are not musically “conservative,” I think that his book will be especially helpful to those who are already solidly convinced of the correctness of being musically “conservative” and want to expand their understanding, perspectives, etc.

It is one of the top books available that from a biblical viewpoint supports using conservative music. If you have not read this book, I encourage you to do so.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

“Spirit of God, Descend upon My Heart” is a moving hymn that calls upon the Spirit to minister to the heart of a believer. This PDF provides the melody in the fret numbers for playing the melody on the first string, the basic chords, and the first stanza of the song.

You can practice playing the melody or chords along with this mp3 audio of the melody:

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Everything that God has ever said is right. Psalm 66:4 speaks of a future time when all the earth will worship God and sing to Him:

Psalm 66:1 <To the chief Musician, A Song or Psalm.> Make a joyful noise unto God, all ye lands: 2 Sing forth the honour of his name: make his praise glorious. 3 Say unto God, How terrible art thou in thy works! through the greatness of thy power shall thine enemies submit themselves unto thee. 4 All the earth shall worship thee, and shall sing unto thee; they shall sing to thy name. Selah.

All the earth has never yet done so. Whatever God says is going to happen will happen.

Someday, Psalm 66:4 will be fulfilled! All the earth is going to worship God and sing to Him someday!

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Every guitar player should learn the main progressions in the six basic guitar keys. This PDF provides the chord diagrams and much more to play the I – IV – V7 – I progression in the keys of F, C, G, D, A, and E.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

By examining what Scripture reveals about divine rejection of certain altars, an important truth emerges that must inform our understanding concerning divine rejection of certain instrumental music used in worship.

Divine Rejection of Altars

Scripture explicitly reveals to us that there were altars made by humans that God rejected:

Deuteronomy 7:5 But thus shall ye deal with them; ye shall destroy their altars, and break down their images, and cut down their groves, and burn their graven images with fire.

God commanded His people to destroy these altars of the Canaanites as well as all their objects of false worship. It is important to note that the altars were not themselves objects that were worshiped; they were man-made objects that were used in worship.

Those altars were made by people who were made in God’s image. Although they were cultural products made by such people, God rejected those altars and demanded that His people do likewise.

Divine Rejection of Instrumental Music Used in Worship

Just as God commanded His people to reject the altars of those people, so His people were to reject as well the other facets of how they worshiped their false deities (Deut. 12:29-30). Because this divine mandate necessarily included their instrumental music that they used in worship, we see that God rejected their instrumental music used in their worship as well as their altars.

The fact that people made in the image of God made that instrumental music did not mean that music itself had to have been acceptable to God for use by His people in worship.

Discussion

In response to this line of reasoning, some claim that God created all music. Such a claim has no explicit biblical basis.

Even so, to arrive at that position, some say that God made people in His image and they are sub-creators so that He is the Creator of all music in that way.

By the same reasoning, we would have to hold that God is the Creator of all altars. Yet, we see that God demanded the complete rejection of pagan altars.

If one, therefore, yet takes the approach that God is the Creator of all music, then one would not have any basis to deny that there is also instrumental music that God created that He wants His people to reject. That conclusion, however, is precisely what many believers who reason in these ways will not accept.

Conclusion

Just as God has rejected certain altars, so He has rejected certain instrumental music used in worship. The image of God in man does not mean that God will accept whatever instrumental music humans have chosen to use in worship.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.

Suppose that a group of evil humans in a remote land gets together and smokes some psychedelic substances. Doing so puts them all into a state of altered consciousness. While in that state, they all suddenly see a towering being of light appear to them.

This being proceeds to tell them that he is the true god and that there is no other god besides him. The being is frog-like in appearance. The spirit being commands the men to make an image of itself and worship that image.

The being orders them to make the image to have three heads even though it only has one head. The men do so and originate an entire religion around the worship of their three-headed frog-like god.

Christian Refusal to Believe What Happened

Some Christians later come to the remote area where these idolaters live and see the idol. The Christians conclude that the people just used their imagination to make an idol that was somewhat like real frogs that they had seen somewhere in their land.

When they try to evangelize some of the idolaters, the Christians refuse to believe what the idolaters tell them had happened to guide them to make the idol. They reject their testimony that they really had seen a spirit being that was frog-like in appearance and that had ordered them to make that idol.

Would such Christians be right or wrong? According to Scripture, there are demons who are frog-like in appearance:

Revelation 16:13 And I saw three unclean spirits like frogs come out of the mouth of the dragon, and out of the mouth of the beast, and out of the mouth of the false prophet. 14 For they are the spirits of devils, working miracles, which go forth unto the kings of the earth and of the whole world, to gather them to the battle of that great day of God Almighty.

Therefore, Christians who would refuse to believe such a testimony— if it were ever to be given to them—would actually be wrong in thinking that demons cannot appear to humans to guide the humans to engage in any such kind of creative activity that is of demonic origin.

Application

An important conclusion follows from applying the dynamics of the story related above to the realm of instrumental music. Demons can easily influence evil humans in a similar manner to produce demonic music on instruments so that the music is of demonic origin and not solely a product of human imagination and creativity.

Copyright © 2011-2024 by Rajesh Gandhi. All rights reserved.